THE BALLAD OF BUSTER SCRUGGS (2018) P/D- The Coen Brothers
Netflix presents their production of this collection of 6 ‘penny-dreadful’ type stories from the American West, all told in the Coen brother’s distinctive style, and a very engaging whole it is too.
This film was financed and distributed by Netflix, which to me says a lot about the way the motion pictures industry is going. More and more mainstream film makers are going to go down this road, because this is where the money is. Last year the BBC’s annual budget was about 6 billion pounds. Netlix’s Budget was 12 billion. See what I mean? Someone was trying to persuade me to buy Netflix shares in 2014. I declined their advice, as I don’t speculate in shares. On this occasion I wish I had. They’re worth more than 3 times their 2014 price today...
WONDER WHEEL (2018) D- Woody Allen
In 1950s Coney Island, an aging fairground worker and his family are placed in turmoil when a young woman seeks their help. For she is on the run from a failed marriage to a mob boss, and he would like to reclaim his lost property...
Woody Allen once said of sex: “When it’s good it’s very good, and when it’s bad, it’s still pretty good.” The same can be said of Allen’s movies. When they’re good, like Crimes and Misdemeanors, Broadway Danny Rose or Hannah and her Sisters they aspire to being some of the greatest offerings of post war American cinema. And when they’re not so good, like this film, they’re still worth watching. All the performances, from Kate Winslett to Justin Timberlake, are spot on, and as always Allen’s observation is acute.
Small point: this film was made with Amazon money. No longer do we see the names of Rollins and Joffe in the producer’s credits of a Woody Allen film. And hence, once again, we see how cinema is changing. Netflix and Amazon are now calling the shots, and just when Disney thought it had the entertainment business by the throat. Must be annoying for them...
ROMA (2018) W/D- Alphonso Cuaron
A well-to-do family in Mexico City is torn apart when hubby leaves for a conference, then doesn’t come home again. Despite being paid virtually nothing, the maid stays on to ensure at least a vestige of continuity for the children and their embattled mother. But the maid has her own problems. She falls pregnant to a ne’er-do-well who has no interest in taking responsibility for his actions...
Shot in crisp black-and-white, with a beautiful, languorous cinematography that allows the action to unfold before a remarkably static camera, this film is a revelation. Everything about it is noble, from the stately unwinding of the plot, to the stunning acting of all the players; this, along with The Happy Prince, is definitely the best of the 92 new films I have seen this year.
BIRD BOX (2018) D- Susanne Bier
A strange plague has afflicted the world: if you even look at, something (what, we’re not completely sure), you immediately become suicidal. Except those who are already insane, who then try to force all the others to look at...it. Only solution: keep your eyes wide shut or cover them with blindfolds. This, it has to be said, makes life a little difficult, but, what the hey, Sandra Bullock manages it for several years, hell, she even manages to steer a boat down a river for days at a time without being able to see a thing. Exciting or what?
Actually, only for so long. This film is over 2 hours long yet would have been better at 70 minutes. They used to make films that long, but of course that wouldn’t hack it with today’s audiences. Or so we are led to believe. After a very brief theatrical run, this was acquired by Netflix (yeah, them again), and I have it on good authority it was streamed by no less than 45 million people over the Christmas period alone. You can see why DVD sales and ‘live’cinema are in trouble right now, and why I should have bought those Netflix shares 4 years ago...
Happy new year film watch
In 1950s Coney Island, an aging fairground worker and his family are placed in turmoil when a young woman seeks their help. For she is on the run from a failed marriage to a mob boss, and he would like to reclaim his lost property...
Woody Allen once said of sex: “When it’s good it’s very good, and when it’s bad, it’s still pretty good.” The same can be said of Allen’s movies. When they’re good, like Crimes and Misdemeanors, Broadway Danny Rose or Hannah and her Sisters they aspire to being some of the greatest offerings of post war American cinema. And when they’re not so good, like this film, they’re still worth watching. All the performances, from Kate Winslett to Justin Timberlake, are spot on, and as always Allen’s observation is acute.
Small point: this film was made with Amazon money. No longer do we see the names of Rollins and Joffe in the producer’s credits of a Woody Allen film. And hence, once again, we see how cinema is changing. Netflix and Amazon are now calling the shots, and just when Disney thought it had the entertainment business by the throat. Must be annoying for them...
ROMA (2018) W/D- Alphonso Cuaron
A well-to-do family in Mexico City is torn apart when hubby leaves for a conference, then doesn’t come home again. Despite being paid virtually nothing, the maid stays on to ensure at least a vestige of continuity for the children and their embattled mother. But the maid has her own problems. She falls pregnant to a ne’er-do-well who has no interest in taking responsibility for his actions...
Shot in crisp black-and-white, with a beautiful, languorous cinematography that allows the action to unfold before a remarkably static camera, this film is a revelation. Everything about it is noble, from the stately unwinding of the plot, to the stunning acting of all the players; this, along with The Happy Prince, is definitely the best of the 92 new films I have seen this year.
BIRD BOX (2018) D- Susanne Bier
A strange plague has afflicted the world: if you even look at, something (what, we’re not completely sure), you immediately become suicidal. Except those who are already insane, who then try to force all the others to look at...it. Only solution: keep your eyes wide shut or cover them with blindfolds. This, it has to be said, makes life a little difficult, but, what the hey, Sandra Bullock manages it for several years, hell, she even manages to steer a boat down a river for days at a time without being able to see a thing. Exciting or what?
Actually, only for so long. This film is over 2 hours long yet would have been better at 70 minutes. They used to make films that long, but of course that wouldn’t hack it with today’s audiences. Or so we are led to believe. After a very brief theatrical run, this was acquired by Netflix (yeah, them again), and I have it on good authority it was streamed by no less than 45 million people over the Christmas period alone. You can see why DVD sales and ‘live’cinema are in trouble right now, and why I should have bought those Netflix shares 4 years ago...
Happy new year film watch